Sunday, September 30, 2007

Rakett & the open archive


The Curating Degree Zero Archive arrives in Bergen, Norway. Housed in a truck developed by the organization Rakett, the archive presents books, videos, documents and other materials related to public art and critical art practices. During the next few weeks it will be parked in various locations in the city of Bergen, positioning the truck and archive to converse with given historical locations in the city. Screenings of selected videoworks and artists presentations will also take place in the truck, along with cooking actions. More information: http://www.rakett.biz/

Wednesday, September 19, 2007

Archinect interviews Nils Norman

I stumbled across this interview today and it seems to illuminate some of the challenges of working between art, architecture and urban design.

Thursday, September 13, 2007

Just Spaces at LACE

Just Space(s)
September 26 – November 18, 2007
LACE (Los Angeles Contemporary Exhibitions)
Organized by Ava Bromberg and Nicholas Brown
justspacesdotorg

OPENING RECEPTION: Wednesday, September 26, 7-9pm

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/// INTRODUCTION ///

Everyday we confront spaces that don't work - from our neighborhoods and parks, to our prisons, pipelines and borders. In this exhibition and programming series, artists, scholars and activists reveal how these spaces function - and dysfunction - making way for thought and action to create just societies and spaces.

The projects in this exhibition reflect the renewed recognition that space matters to cutting edge activist practices and to artists and scholars whose work pursues similar goals of social justice. A spatial frame offers new insights into understanding not only how injustices are produced, but also how spatial consciousness can advance the pursuit of social justice, informing concrete claims and the practices that make these claims visible. Understanding that space - like justice - is never simply handed out or given, that both are socially produced, differentiated, experienced and contested on constantly shifting social, political, economic, and geographical terrains, means that justice - if it is to be concretely achieved, experienced, and reproduced - must be engaged on spatial as well as social terms.

By transforming LACE, in part, into an active learning environment, Just Space(s) seeks to provide visitors with tools to consider alternatives to reactionary and essentializing political discourse that tends to dominate and frame our conceptions of justice - and constrain our abilities to imagine and implement it. The exhibition presents some of the most innovative and efficacious contemporary artistic, activist, and scholarly work engaging social and spatial analyses. In addition, a library/infoshop and symposia and event series extend the scope and scale of the main exhibition. Taken in whole or in part, Just Space(s) aims not merely to show what is unjust about our world, but to inspire visitors to consider what the active production of just space(s) might look like. It asks a crucial question: How do we move from injustice to justice exactly where we stand - in our neighborhoods and our institutions, at the level of the body, the home, the street corner, the city, the region, the network, the supranational trade agreement and every space within, between, and beyond? While much theorizing about - and active experimentation with - the role and potential of a spatial justice framework remains undone, this exhibition and its public programming contribute to the articulation of a powerful concept/tool that links critical theory and ethical practice.

justspacesdotorg

Wednesday, September 5, 2007

Experiments in vocal poet3

Selected by a city council grant program of the current year,
it will take place in Rio de Janeiro (MAC - NiterĂ³i) and Curiti-
ba, dates to be confirmed, as an alive event, action props in
the domain of sound art that is besides many other (re)sour-
ces planning to launch the concept of mpoet3, phonetic transmissions with the use of tools ranging from simple microphones to the almighty presence of the microship, as well as sound systems of different kinds, embodying to the verbivoco utterings new audiopossibilities of understanding media. Live broadcasting antipogroms programs will be held in the presentation of the various participants, with an accent in the particular investigation character of their propositions. Achievements as radioart, sound poetry, phantastic sound architectures, visual sonority, nonsensical emissions, etc.will be played along the activities, but the very concern/contend is to what extend this supports can modify the perceptions in sinergetic proceedings.
This apparently exquisite scenary will be, of course, occupied mostly by cultural producers and searchers of the two involved brazilian centers, but also by special guests from abroad that have been doing expressive interferences in the use of really innovative and throbbing action strategies.

Alex Hamburger

more at http://poeticasexperimentaisdavoz.wordpress.com/

Monday, August 20, 2007

street light museum berlin



Walking through the Tiergarten in Berlin and coming upon this collection of street lights taken from different cities in Germany, and from different time periods, struck me as a delightful way to construct a museum - situating the lights in a public site, allowing them to continue to function, while also displacing them so as to highlight their particular histories and aesthetic features.

Tuesday, August 7, 2007

art and anarchism

It seems that anarchism is in the air... or at least several recent books that address contemporary anarchist ideas. I just came accross Roopa Singh's review of Realizing The Impossible (AK Press), edited by Josh MacPhee and Eric Reuland. It made me want to rush out and buy it... I have been reading another AK press anthology called No Gods, No Masters which is a historical look at some of the (mostly european) theorists of Anarchism. And of course, there's David Graeber's short read Fragments of an Anarchist Anthropology which I can't recommend highly enough... You can order or download that here.

Thursday, August 2, 2007

Looking for Beuys


"Beuys's project 7000 Oaks began in 1982 at Documenta 7 in Kassel, which called for the planting of seven thousand trees, each paired with a columnar basalt stone approximately four feet high above ground. The project took five years to complete, the last tree having been planted at the opening of Documenta 8 in 1987. Beuys intended the Kassel project to be the first stage in an ongoing scheme of tree planting to be extended throughout the world as part of a global mission to effect environmental and social change; locally, the action was a gesture towards urban renewal."